Mud, rated PG-13, is the best film I've seen this year. It opens with a scene of a
boy overhearing his mother pleading with his father to listen to her
concerns, but the father walks away without responding. My first
impression had me thinking this was a wife trying to
confront her abusive husband but failing. Later we see the father
interact gruffly with his son as they deliver fish he has caught on the
river where they live in a houseboat.
But soon we discover the father’s tenderness
toward his son. And we learn that the mother actually owns the
houseboat, inherited from her family, and is threatening to sell it. She
is the one with power.
Mud is a coming-of-age film about two Arkansas teenagers,
Ellis (Tye Sheridan) and Neckbone (Jacob
Lofland), who become friends with Mud
(Matthew McConaughey), a fugitive who wants to reunite with his old girlfriend, Juniper (Reese
Witherspoon), and then skip town. The
boys agree to help him and keep his presence there secret from the
police, who are searching for him because he killed Juniper’s husband,
who was abusive toward her.
The film includes many arresting characters,
including the small town where it’s set. It takes us into the lives of
people who make their living off the river and again moves beyond the
usual stereotypes of southern small towns. Director
Jeff Nichols, who also made the excellent film Take Shelter, presents the details of life in the town and the struggle to make a living.
While McConaughey gives an arresting
performance, the two teenagers, Sheridan and Lofland, captured my
attention even more. Their characters are so well-written and finely
portrayed that we accept their struggles and their courage. Ellis
(Sheridan also appeared in The Tree of Life) becomes the focus
of the film, as he learns harsh lessons about love and betrayal, not
only in his relationship with Mud but with his parents as they head
toward divorce and with an older girl he likes.
While the film surprises us in several ways, it
is not devoid of cliché. The father of the man Mud killed is portrayed
as especially evil, though we do see his grief. And Neckbone’s uncle
(and guardian) is a bit over-the-top. But throughout
the film runs a tender concern for each character, rare in most films.
Mud played in competition at Cannes in
2012, then again at Sundance in January, so it’s considered an art house
film. But it’s proven to be popular with audiences, having played more
than a month in Wichita, Kan., for example. One
reason for this is its authentic portrayal of people. Its characters
surprise us and draw us into their world.