2013
brought us many excellent films. Some of these, particularly foreign films,
have not become available to me yet and could not be included.
1.
12 Years a Slave. This powerful film tells the true story of Solomon
Northup, a free black man from upstate New York who was abducted and sold into
slavery in 1841. Its unflinching depiction of slavery is difficult but
necessary to watch. It shows the horror and evil of this long-standing American
practice.
2.
Gravity. Viewers experience this extraordinary film as they watch.
It follows two surviving astronauts from a damaged Space Shuttle as they try to
make it back to Earth. The film combines wrenching suspense while exploring
themes of meaning. Every aspect—writing, acting, cinematography—make this an
outstanding film.
3.
Her. This captivating film, set in the near future, is about a
lonely writer who develops an unlikely relationship with his newly purchased
operating system that’s designed to meet his every need. It raises profound
philosophical questions about relationships and technology, about reality, love
and death. The unique premise of a man falling in love with his operating
system works wonderfully.
4.
American Hustle. This fast-paced film is the story of a con man,
Irving Rosenfeld, who with his seductive British partner, Sydney Prosser, is
forced to work for a wild FBI agent, Richie DiMaso, who pushes them into a
world of New Jersey powerbrokers and mafia. Based on a scandal from the 1970s,
this film’s script is intelligent, funny and surprising, and the cast is
superb.
5.
All Is Lost. This is a gripping account of a sailor whose 39-foot
yacht takes on water after a collision with a shipping container at sea. With
his navigation equipment and radio disabled, the man sails unknowingly into the
path of a violent storm. Despite his resourcefulness, he must face his mortality.
Robert Redford gives a remarkable performance and helps viewers imagine their
mortality.
6.
Before Midnight. This is the third in a trilogy of films about a
couple who meet on a train bound for Vienna in Before Sunrise (1995) and reunite in Paris in Before Sunset (2004). Here they are in Greece with their twin
daughters. All three films consist mostly of dialogue yet engage us with their
characters and the issues they address. Here they touch on the nature of
marriage, the differences between men’s and women’s perspectives, parenting and
work. Many couples will recognize their own struggles in this brilliant film.
7.
Mud. This coming-of-age film is about two Arkansas teenagers who
become friends with Mud, a fugitive trying to reunite with the woman he loves.
It takes us into the lives of people who make their living off the river and
shows the lessons of learning about love. This poignant film avoids clichés
about Southern culture and shows a tender but realistic portrait of a father
and a son.
8.
Nebraska. This film tells of an aging, alcoholic father who
travels from Montana to Nebraska with his estranged son in order to claim a $1
million Mega Sweepstakes Marketing prize. On the way, they stop at the father’s
hometown, where stories from his past emerge. This black-and-white film uses
dry humor and some nonactors to present an authentic view of the characters and
an aptly measured resolution.
9.
Stories We Tell. In this remarkable documentary, Canadian
writer/director Sarah Polley is both filmmaker and detective as she
investigates the secrets kept by a family of storytellers. Her mother died when
she was 11, and she later learns that she is the child of an extramarital affair.
The film explores the elusive nature of truth and memory as she searches for
the identity of her biological father.
10.
Philomena. This film follows a world-weary political journalist
who picks up the story of a woman’s search for her son, who was taken away from
her decades earlier after she became pregnant and was forced to live in a
convent. This excellent film raises justice issues about Catholic institutions
but also explores faith questions in an evenhanded manner.
Good list! I hadn't heard of Philomena yet, I'll have to check that one out.
ReplyDeleteQuick question about 12 Year a Slave.
When I heard that 12 Years was coming out, I had just finished reading Beloved (another recommendation from this blog, I believe, and an amazing novel) and was partway through A People's History of the United States. Having seen Hunger and Shame, I knew that a Steve McQueen movie about slavery would be a harrowing experience, and being so fresh off of two other harrowing depictions of slavery, I wasn't sure if I was up for it or not.
A lot of the discussion around this film centers on the subject matter, and the subject matter seems to be the aspect that makes critics call the film necessary viewing. This might be an unfair question, but if the subject matter was not an issue - if the entire story were fiction and slavery had never happened - would it change your estimation of the film? Is it possible to separate the artistry from the history?
And unrelated, do you happen to be on letterboxd.com?