Miyazaki's last film

Hayao Miyazaki is a Japanese film director, animator, manga artist, illustrator, producer and screenwriter whose career has spanned six decades. He is best known here for his films Princess Mononoke and Spirited Away, which I consider a masterpiece.

His latest film, and apparently his last, is The Wind Rises, which was nominated for an Academy Award for best animated feature. It is a fictionalized biography of Jiro Horikoshi (1903–1982), designer of the Mitsubishi A5M and its successor, the Mitsubishi A6M Zero; both aircraft were used by the Empire of Japan during World War II.

Unlike most of his other films, which employ elements of fantasy and draw on Japanese mythology, The Wind Rises is a straightforward, realistic story, though he uses dreamscape at several points in which Jiro meets Caproni, an Italian plane designer.

Jiro grows up wanting to fly, but because his eyesight is poor, he cannot, so he turns to designing planes. He is drawn to the beauty of flight and how to make machines fly in the most efficient way possible.

During his time at university, where he’s studying engineering, Jiro meets a young girl named Naoko while traveling back to Tokyo from a holiday. The Great Kanto Earthquake of 1923 hits, which stops the train and causes Naoko’s maid to break her leg. Jiro helps Naoko and her maid get to Naoko's family, then walks away without giving his name.

Jiro later works for an airplane manufacturer and is sent to Germany to do technical research. Later, at a summer resort in Japan, he runs into Naoko, and they fall in love. However, she has tuberculosis, and they postpone getting married.

Although the story in the film follows the historical account of Horikoshi's aircraft development chronologically, the depiction of his private life is entirely fictional. Without this fictional content, however, the film would be boring.

Miyazaki includes detail about the development of the planes, but he also develops various characters, giving them interesting personalities, such as Jiro’s excitable boss, Kurokawa, or his best friend, Honjo. There is also suspense, as the Japanese secret police are hunting Jiro. And Miyazaki is able to evoke strong emotions, as in his other films.

He also includes references to other works. At the resort is a German named Castorp, which is a character from Thomas Mann’s novel The Magic Mountain, which takes place at a sanatorium on a mountainside. The film also quotes a poem by Christina Rossetti.

The film was controversial in Japan, receiving criticism from both the political left and right. Miyazaki has criticized Japan’s conservative party for wanting to change the constitution, but he also defended making a film about a war-plane designer.

A clear theme of the film is the tension between an artist who wants to make something beautiful and those who use his talent to make machines used in war. This conflict between art and pragmatism is one Mennonites, especially Mennonite artists, can relate to.

While The Wind Rises is not of the caliber of Miyazaki’s best works, it is a beautiful film that will capture your interest and emotion. See it, and look for his other films, particularly Spirited Away.