Art and poverty

Many people see art, whether it’s literature or painting or film or theater, as a useless activity or product for the benefit of an elite group of people, not for the poor.

If people don’t have adequate food or shelter, what good is art, no matter what the medium?

Gregory Wolfe, publisher and editor of Image, a journal that focuses on art, faith and mystery, spoke about art and poverty in January at the Dominican School of Philosophy and Theology. An adaptation of his talk appears in the latest issue of Image (No. 84).

 

The Potato Eaters by Vincent Van Gogh

 

This is a topic that many people concerned about justice issues, including many Mennonites, have trouble with. Many respond like the disciples, particularly Judas, responded to the woman who anointed Jesus with an expensive perfume (John 12:1-8; Mark 14:3-9). What a waste! The money spent on that could have been used to feed the poor.

But Jesus blesses her action. Wolfe comments: “The anointing is wholly gratuitous, which also happens to be one of the fundamental characteristics of art.”

Over the centuries, Wolfe points out, the poor have shown their desire for beauty. In the Catholic tradition, for example, look at the great cathedrals as well as household shrines and murals.

Art comes in many forms and serves many purposes. Folk art has a long tradition and often comes out of poor communities. Pop art, however, has become mostly a commodity that makes millions for various corporations.

Many concerned about justice fear art may be a distraction. However, says Wolfe, “beauty, whether manmade or natural, evokes in us the desire to protect what is both precious and vulnerable.”

I volunteer for Circles of Hope, which seeks to help people move out of poverty. The people I’ve come to know show that they aren’t solely concerned about money. They want to live, to enjoy life with their families and friends. And they are quite creative in finding ways to get by on little.

Kansas governor Sam Brownback signed a bill last month preventing Kansas families receiving government assistance from using those funds to visit swimming pools, see movies, go gambling or get tattoos. As the Washington Post writes: “There’s nothing fun about being on welfare, and a new Kansas bill aims to keep it that way.”

These legislators seem to have no clue how poor people live or the struggles they face to survive.

In an earlier issue, Image ran an interview with Roberta Ahmanson, who has worked to serve the homeless through a nonprofit called Village of Hope. She notes that the founder “intuitively understood that the places you bring people to speak to them about their own value.” Village of Hope, she says, “is probably the only homeless shelter in the world that has stained-glass windows and an 18-foot vase and Albert Paley gates.”

Art reflects beauty. It also reflects the artist’s own poverty. An artist creates a “nothing” that does nothing. But while it “does not in itself alleviate the suffering that poverty entails, … it remains one of the most compelling means by which we can be turned from distraction and denial and enabled to dwell for a time among those we would pass by.”

While poverty isolates people, art brings us together.

We all need bread and roses, food and art. Beauty enriches our lives and makes us want to enrich others’ lives as well.