Many good films came out last year—and too many of them were
unavailable to me before this deadline. But here are 10 I liked. And by “liked”
I mean they particularly moved me—emotionally and/or intellectually—and were
beautifully made.
1.
Moonlight
presents three time periods—young adolescence, mid-teen and young adult—in the
life of Chiron, an African-American male in Miami. A drug dealer tries to
rescue him from bullies, while his drug-addicted mother neglects him. This
tender, exquisitely shot film is the year’s best. It reveals how rarely we see
a film with complex African-American characters as it explores their sense of
self. The acting and cinematography are excellent.
2.
13th
is a documentary by Ava DuVernay. The title refers to the 13th
Amendment, which outlaws involuntary servitude, “except as a punishment for
crime.” The film moves through U.S. history, showing how African-Americans
especially have been labeled criminals in order to enslave them and use their
labor for profit. DuVernay uses interviews with historians and others plus
historical footage to tell a damning story of the U.S. criminal justice system.
One stat to consider: African-American males make up 6.5 percent of the
population and 40.2 percent of the prison population.
3.
La La
Land is a rarity
these days—a musical. It tells the story of an aspiring actress and a jazz
musician trying to follow their dreams in Los Angeles. The film works on many
levels: with joyous and romantic songs and dances, satire, many movie references
and a moving exploration of the cost of following one’s creative impulses.
4.
Manchester
by the Sea is the moving story of an uncle
obliged to return home to Manchester, Mass., to care for his nephew after his
brother, the teenager’s father, dies. When he learns his brother named him his
nephew’s guardian, he struggles with what to do. Memories of what happened in
his past help explain why he doesn’t want to live in Manchester. Casey Affleck
and Michelle Williams (in a brief role) are outstanding and will likely win
Oscars. The writing also excels.
5.
O.J. Made
in America is a five-part documentary about O.J. Simpson that narrates an
American tragedy. It explores in detail his rise to fame, his trial for
murdering his wife and her friend, and his fall from fame. At the same time it
shows the injustices African-Americans experienced, particularly by the Los
Angeles police and court system, that likely led to a jury declaring Simpson
not guilty of murder.
6.
Hell or
High Water portrays two brothers, one a divorced dad, the other an ex-con,
who rob banks to save the family ranch in West Texas. Two Texas rangers try to
find them before they rob another bank. The film is more than a chase plot, as
it explores its characters and saves its ire for the banks that take advantage
of people trying to survive in a poor economy.
7.
Loving tells
the true story of Richard and Mildred Loving, an interracial couple who are
arrested in Virginia for their marriage and forced to leave the state. Later,
their situation leads to a legal battle that ends at the U.S. Supreme Court.
The film captures the quiet, ordinary love of the couple and understates the
opposition they faced. The acting is superb.
8.
Arrival is
far from the usual sci-fi films of heroes fighting aliens. Instead, it is an arresting,
thoughtful drama that explores both human emotion and philosophical
speculation. It’s also refreshing to see a woman in a lead role as an academic
who shows courage and vulnerability. Amy Adams has the ability to communicate
emotion with her eyes.
9.
The
Innocents is set in 1945 in Poland, where a young French Red Cross doctor
is assisting survivors of the German camps. A Polish nun begs her to come to a
nearby convent, where the doctor finds several nuns in advanced states of
pregnancy, having been raped by Russian soldiers. Based on a real incident,
this powerful film explores themes of faith and suffering as both the
unbelieving doctor and the nuns are changed by each other.
10.
Silence
is a faithful adaptation of Shûsaku Endô’s outstanding novel from 1966 about Jesuit priests suffering for their faith in
17th-century Japan, where Christianity is outlawed. The film is long
and at times harrowing, and it raises difficult questions about Christian
faith. It’s that rare film that questions simplistic, victorious faith and
delves into the depths of God’s mysterious silence and suffering with us.
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